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They made effective use of darkness, shadows, strobe effects, background noises, whispers, and deformed faceless humans. So after tearing the film apart, why would I rate it 5 stars? Because I loved it.
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He is attempting to live as far away from Silent Hill as possible as long as Heather can be driven there in a few hours, another plot point that didn't make sense, but must of evolved for movie time sake. Clemens had swapped roles with Jennifer Lawrence in "House at the End of the Street." This film picks up years later as Sharon has grown to 18 years of age and has changed her name to Heather.named after Harry's (Sean Bean) grandmother, the first thing I couldn't buy. I kept thinking how much better this film could have been if Ms. This production also suffered from plot weakness, trite dialouge, and an unconvincing role by Adelaide Clemens as the lead character.
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For me, the element of surprise was gone. Clearly this film was not as good as the first. Not only will this film make better sense, but I consider "Silent Hill" to one of the top 100 horror films of all time. Indeed, SILENT HILL: REVELATION is so focused on offering up acceptable FX sequences that it forgets to tell a coherent storyline or indeed scare the viewer very much.įirst off, if you haven't seen the first film, do that prior to watching this one. They wander around a lot and not much really happens, aside from the usual CGI augmented spook show stuff, and it seems to take most of the running time before they finally end up back in Silent Hill. Radha Mitchell has gone - aside from a brief cameo - and Sean Bean is in short supply here, so most of the screen time goes to the young, bland newcomers in the shape of Adelaide Clemens (forgettable) and Kit Harington (who has little of the gruff charisma he displays in GAME OF THRONES). Bassett handled one of the most underrated fantasy films of recent years (SOLOMON KANE).
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This sequel seems lower budgeted and less full of ideas, which is a shame as British director Michael J. As a special effects piece movie, some of the CGI was pretty good, and there were some frightening moments involving the various beasties and sheer level of weird stuff going on. Album DescriptionThe original SILENT HILL, which I saw in the cinema, was a mixed bag, I thought. See More Your browser does not support the audio element. For others, it may just sound like bland reappropriation. For some listeners, Marian Hill's cool, at-arms-length earnestness will come off as wry, art-school juxtaposition. The main crux is that Gongol, while technically a fine singer, lacks the believable swagger, warmth, and organic, swinging phrasing of singers like Beyoncé or even Sade, whose moody, emotionally bare style is an obvious touchstone for the band. Admittedly, as conceptually interesting as Marian Hill can be, their particular brand of electronic soul can sometimes feel awkward and square.
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Elsewhere, tracks like "Down" and "Bout You" have a sultry warmth that sounds like a '90s Brandy track remixed down to its barest essential elements. Occasionally they come close, and cuts like "Talk to Me" and "Take Your Time" have a fresh, kinetic energy that captures the band's art-school inclinations and catchy hooks. At best, one gets the sense that Marian Hill are aiming for an aesthetic somewhere along the lines of Beyoncé making an album with '80s electronic outfit Art of Noise.
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Centered on Gongol's lithe, if slight vocals, the duo make a minimalist brand of pop R&B built around robotic beats, chilly synth hits, and Davit's cubist post-bop sax lines that often sound as if they've been sampled and spliced into the mix. Featuring the talents of producer Jeremy Lloyd and vocalist Samantha Gongol, Marian Hill also benefits from the contributions of jazz saxophonist Steve Davit, who appears throughout. The debut full-length album from Marian Hill, 2016's Act One, deftly showcases the Philadelphia duo's somewhat arty, stripped-down R&B.
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Purchase and download this album in a wide variety of formats depending on your needs.